Search: Starring Rooney Mara

Lowery's nostalgia works because it is so sincere and does not question America's fascination with Bonnie and Clyde as an excuse for bad deeds.

For all the strangeness of the premise there’s not a lot of meat on the bones of this story.

A beautifully crafted piece.

It's hard to be tough on a film as warm-hearted as this one is in spirit - like Callahan, it's trying hard even when it fails.

Reveals just enough in the sparse dialogue and long silences to keep us intrigued.

In the end, this isn't the obnoxious film it might have been but it isn't a very interesting one either.

It is in these details, the small objects Jonze provides us with in his film of disembodied desires, that essences become distilled.

A journey you have never travelled before

To its great merit, the film does not go for romanticizing or exploiting this child's life-threatening dilemma and the impossibly difficult decision-making process can be felt throughout.

She won't marry. She refuses. Is she lesbian? Hey, that's an idea. Let's investigate.

There's crude exposition in almost every early line, read as if in a high school play rehearsal.

From its first kindlings it draws breath from your lungs as surely and as steadily as it draws your eyes.

Visual indigestion and intellectual flatulence

Soderbergh, just as he did with his 2011 film Contagion shows that the disaster you expected safely elsewhere, is right in front of you.

Some films need to be watched alone. This is one of them.

Fincher's cautionary fable is way more riveting than anyone could reasonably have expected.

As the film progresses, its identity crisis becomes increasingly evident as standard indie tropes are interrupted by cackhanded attempts and comedy of the broadest type.

Polley has crammed in a lot of good ideas, but they cannot all usefully share the same space.